Laurel Black Music

It's been a busy first half of the month so far. Though summer isn't technically upon us, there's something about the month of June that makes it a month for personal projects. Perhaps it's because my entire life has been attached to an academic calendar, or perhaps it's because it's a month where there's typically more nice than dreary weather - either way, the first half of this selfish month has been a total joy. New Article It's been out for a little while, but you can read "Developing Kinesthetic Awareness: A Guide to Mindset, Explorations, and Wrists - Part 2" in this month's Rhythm! Scene .  Find it on page 14! TAPS East Coast By now there's evidence on social media that TAPS East Coast was a blast, both as a human and as a musician.  Held at the New England Music Camp (NEMC) at Snow Pond, the setting was nothing short of breathtaking.  The faculty were housed in cabins, the students in the new dorm, and our acti

There aren't many other calming moments than the tranquil, blank mental space that accompanies those first few days at the end of the school year.  Suddenly there is so much time , assuming we can stop feeling exhausted. Time can be our friend or our enemy in terms of our practice.  In preparations for TAPS East Coast, which starts this weekend, I find myself examining my thoughts about practice.  Since many of us are now in a limbo stage, somewhere between relaxed and feeling guilty about it, I'm hoping we can bond over these ideas. Playing Cold – Some people warm up, some don’t.  Though some rep doesn’t require it, if we’re coming in from cold weather, just woken up, playing after a multi-week break, or about to run a complicated recital program, we have to warm up.  Cold muscles don’t move as well, which means the work goes elsewhere, like the tendons. Cram Practicing – Sometimes life only gives us 2 weeks to prep a half recital, but if there’s any way to av