Skip to main content

Inspiration Archive


Writing in a journal reminds you of your goals and of your learning in life.  It offers a place where you can hold a deliberate, thoughtful conversation with yourself.  - Robin S. Sharma

While unpacking the boxes upon boxes upon boxes upon boxes of belongings from our recent move, I stumbled (literally, there's a bruise...) upon a stack of a few of my old journals.  I've kept a journal since early high school, and they have served me well over the years, for all kinds of different reasons.  My selective sentimentality has forced me to take them with me wherever I go: from TN, to MA, to WV, to VA. 

They are full of reflections, wishes, ideas, and longings.  What struck me this particular time, reading through them, were the many creative ideas held within the pages of each one.  It was surprising, to see that my 20-year old self had the courage to write down an idea that my 28-year old self found to be laughable - until I realized that that might make it brilliant


Don't only practice your art, but force your way into its secrets...

Under my photo on this blog I wrote that I couldn't decide whether I was a musician or aspiring author or even an aspiring designer.  I still don't know.  What's interesting, though, is the plethora of musical and creative writing ideas I have found in journals that are 5+ years old, and have long been out of use.  Reading through older journals I found ideas for plays, for collaborations, for scenes, for sewing projects, even - dare I say - compositions.  I found beginning sketches of a mallet bag that I've been designing for about 4 years now...

As students we are encouraged to focus, to not waste our energy or time with other activities or interests.  And even if we aren't explicitly told to do so, whether by parents, mentors, or teachers, we are aware of our own desire for success and to be heard as musicians, which we can interpret as a need to block out other creative outlets, at least for a time.  There's often a mention of the sacrifice one makes to be a successful musician - devoting hours and hours to practice over just about everything else, and This is Necessary.  No great players in our field became great players by watching hundreds of hours of cat videos. But let's be honest...everybody needs a cat video now and then.  

But what do you do when you're in the middle of a 4-hour practice session and you're struck with a new idea for a composition? Or a play? Or a story, an essay?  
You've got an idea for a piece? Sorry, right now you are learning an entire recital of other music.  You've got another idea for a story? Sorry, right now you're paying a lot of money for a Masters degree.  An idea for a song? Are you kidding?...You need to get back to adapting Bach because that's what you're supposed to be doing right now.
Ignoring these little inspirations may provide a moment of pride for our diligent focus, but we can't just throw them away, as who knows if that is the idea we've been waiting for but just don't know it yet?  Here's where we need to keep an inspiration archive.  Maybe just writing that idea down, no matter how irrelevant it is to the activity at hand, could preserve it for the day we need it, no matter how many years down the road.  

Without inspiration the best powers of the mind remain dormant.  There is a fuel in us which needs to be ignited with sparks.  - Johann Gottfried von Herder 

What are the odds inspiration will strike the second we need it?  We all get lucky from time to time, but none of us are so lucky that we are struck by the arrow the moment we step up to the keyboard (regardless of which kind).  The spark's inconvenient arrival is inevitable, but if we are prepared for it, no idea will ever be lost.  The inclusion of a small notebook into a stick bag, or a laptop case, could mean that our brilliant-upon-brilliant ideas are preserved. 


The Joy of Rediscovery

Here's a "hypothetical" situation: you move to a new city.  With no immediate full-time job in view you decide to embrace one year as a time to focus on your own creative projects, and have the support system to do so.  You've spent weeks cataloging every idea you have, prioritizing them, creating them for the sake of creating them.  You try to write down the character sketches and the tone row patterns.  Some are great, some are garbage, c'est la vie.  Then, while unpacking, you find worn little books that contain almost nothing but ideas upon ideas upon ideas, just the kind you're looking for.  The anxiety about a year of creative focus starts to wane as you remember that you have years and years of ideas written down, and all you have to do is choose the best ones.  

Before the move I tried so hard to create an idea but wound up editing it into oblivion, time after time.  

I needed a spark, and it arrived in the form of my journals, my own sort of inspiration archive.  Reading through them I'm met with certain confirmations: that my experience with Alexander Technique has changed my life, (and I can't wait to shout it from the mountaintops at PASIC) that my ideas for compositions are worth pursuing, and perhaps most of all, that my writing ideas are well - right.  They say you're supposed to write what you know.  Nearly a decade of separation of two different plots on the same theme is enough confirmation for me. I have no doubt as to what I know.  

Special music teachers have encouraged my creative writing, and now I have no doubt what I'm supposed to write about. It feels good.  My experience in finding those journals was so profound that I wanted to share it here. Perhaps someone reading has had a similar experience? Or perhaps you will start your own inspiration archive and experience the joy of finding it just when you need it. :)

Don't only practice your art, but force your way into its secrets, for it and knowledge can raise men to the divine.  - Ludwig van Beethoven




Comments

Post a Comment

Popular posts from this blog

Marimba Body: Back Muscles

This essay is all about the muscles of the back, since we talked about the spine in my last segment.  Since I get to talk all about shoulders at PASIC (woohoo!!!) on Friday, I thought a good connection between spine structure and the shoulder joint would be about the muscles of the back that help to protect both. Though I've never experienced it severely first-hand, it seems like there is nothing worse than constant back pain.  Ask anyone who has dealt with it and they will say that you must  protect your back so you never  feel what they do.  Doctors warn their patients that once they have one surgery, chances are they will need more.  (This makes sense, as you can't fix one part of the long spinal structure without later needing to correct other areas.) There's good news, though: keeping the muscles of the back strong, and freely aligning the spine, can help us lead pain and surgery-free lives. Waterfall Muscles source source     It's beautiful the

Marimba Body: What is Hip?

In keeping with the idea of getting grounded from my last post in the Marimba Body series, let’s talk about hips and the sciatic nerve.  Hips are the joint where the leg meets the torso.   They're easy to find because they’re the widest part of our lower half, beneath the belly, but above the knees.  We use them to walk, run, dance, and reach the extreme ranges of the marimba.  Our hips make it easy for us to step far to the right to reach a high note or squat low so we can reach the extremes at the same time.  Without them, we couldn’t do either: we could play about a 3-octave range in the middle and that would be it! No, thank you! Holy Ilium, Batman! Just as there is no bone in the body actually called the “neck bone” or “knee bone,” so the name “hip bone” is a colloquial misnomer. (I know, who knew??)  What we refer to as hip bones are actually part of the pelvis: the ilium. If you’re like me and carried some kind of drum for years and years, chances are you

Marimba Body: Thumbs

Thumbs. Without them who knows how we'd play our instruments. Interest in the relationship between the hand, wrist, and thumb began a few years ago when I took piano lessons to refine my technique. (As similar as piano and percussion are in theory , there's much less crossover than I mistakenly thought and hoped.)   Anyway, something my mentor said was when the thumb isn't being used it should relax towards the rest of the hand and fingers.  Sure, may sound obvious, but in the throes of playing - piano or percussion - it's easy to forget little things like this.  Brain: Play a broken 13 over 7, across 6 surfaces...crescendo...oh, right. THUMB. End Scene Thumbs that are mis-mapped, working more than they should, or working when they don't need to contribute to funny aches, pains, and numbness that can get mistaken for carpal tunnel.   Just like all other subjects in the Marimba Body series, how we relate to the structure and movement desi